Crime and Justice in the City as Seen through The Wire
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Subscribers receive the product(s) listed on the Order Form and any Updates made available during the annual subscription period. Shipping and handling fees are not included in the annual price.
Subscribers are advised of the number of Updates that were made to the particular publication the prior year. The number of Updates may vary due to developments in the law and other publishing issues, but subscribers may use this as a rough estimate of future shipments. Subscribers may call Customer Support at 800-833-9844 for additional information.
Subscribers may cancel this subscription by: calling Customer Support at 800-833-9844; emailing customer.support@lexisnexis.com; or returning the invoice marked 'CANCEL'.
If subscribers cancel within 30 days after the product is ordered or received and return the product at their expense, then they will receive a full credit of the price for the annual subscription.
If subscribers cancel between 31 and 60 days after the invoice date and return the product at their expense, then they will receive a 5/6th credit of the price for the annual subscription. No credit will be given for cancellations more than 60 days after the invoice date. To receive any credit, subscriber must return all product(s) shipped during the year at their expense within the applicable cancellation period listed above.
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Since the hit HBO show The Wire premiered on June 2, 2002, it was viewed as much more than a typical police procedural. Over its five-season run it was praised by critics for its intricate examination of crime, life in the inner city, the criminal justice system, and the functioning of public institutions and the people who work in them. However, unlike other police and crime dramas, the police in The Wire did not solve cases on a weekly basis. The hardships faced by millions of people struggling to survive in the inner city were not softened. Rather than portraying characters as good or bad, The Wire does not flinch from portraying the good and bad sides of the police, criminals, educators, judges, lawyers, elected officials, or labor unions. Indeed, it presents an unvarnished view of the complex nature of the criminal justice system and the web of institutional linkages that impact individuals and society.
The show's willingness to take the time to address complex issues and institutions in non-simplistic ways, has led academics and scholars from myriad disciplines to make The Wire a component of their scholarship and university teaching. While this book examines the problem of urban crime and an inefficient criminal justice system from the perspective of legal and social science scholars, it presents divergent and unique examinations of these oft-studied issues.
This anthology is organized into four main sections. The first section features a socio-legal presentation of the interconnectedness of the criminal justice system, followed by an explanation of the negative impacts of urban inequality and poverty; it also highlights many institutional failures as well as the impact that systematic pressures have on individuals. The second and third sections cover topics such as police culture and practice, the War on Drugs and the repercussions of drug war policies, government and politics, and harm reduction strategies. The final section provides excellent linkages from the various scenes and themes from The Wire to criminological theory and practice.
All of the chapters in this volume are useful in linking material from the show to academic concepts. Each chapter tackles a different topical focus area and they all do an excellent job in citing the relevant research as well as contemporary issues surrounding the chosen subject matter.
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